Katy Perry is Type Cast as the Whore of Babylon
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Just heard a song lyric, "If time ever talked to me. I'm pretty sure it would talk fast, cause every second it presents to me, is a second in the past."
Cognitive science says it is in the millionths of a second, but we all do perceive reality, the so-called present, some milliseconds in the past. That is the spit second the magician and demonic conjurers use to make us think they have bent the space/time continuum and altered the state of matter.
The hypnosis in music is the hypnotic comfort of the beat of it. Zombie music is all beat, and not syncopation. The Jazz beat is a little trickster and the blues beat is always on the back beat, defying the tyranny of the downbeat. In all cases the steady rhythm allows us to anticipate those milliseconds and "meet the beat" in the present, where our actions are perceived as in the present, move, clap, play a note, strike a cord, etc.
It is a little daunting to realize that none of us have witnessed the absolute present, much less seen into the future. Sometimes, people tap into eternal time, the eternal moment. The car crash that lasts forever, the shock of bad news, but more importantly the true silence of real prayer.
The hypnotic power of music is very real. In the per-electronic age the hypnotic effect of music are experienced in solitude with the discipline of practical techniques, (How do you get to Carnegie Hall, the young musician asked a stranger in New York. The fellow answered, "Practice son, practice." Aside from solitary practice music was communal, of the community, folk groups and laughter. It became weaponized with electronics where even the folk singers, Pete Seeger, and the like amplified by the radio began seducing people to Marxism, then the Marxism turned Antonio Gramsci-esk sexual, then diabolical and satanic.
Blues became anti-God and even Bluegrass became Nihilistic. (I am a man of constant sorrow . . . maybe I'll die upon this train.) This is the short hand history of how we got to this.
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Cognitive science says it is in the millionths of a second, but we all do perceive reality, the so-called present, some milliseconds in the past. That is the spit second the magician and demonic conjurers use to make us think they have bent the space/time continuum and altered the state of matter.
The hypnosis in music is the hypnotic comfort of the beat of it. Zombie music is all beat, and not syncopation. The Jazz beat is a little trickster and the blues beat is always on the back beat, defying the tyranny of the downbeat. In all cases the steady rhythm allows us to anticipate those milliseconds and "meet the beat" in the present, where our actions are perceived as in the present, move, clap, play a note, strike a cord, etc.
It is a little daunting to realize that none of us have witnessed the absolute present, much less seen into the future. Sometimes, people tap into eternal time, the eternal moment. The car crash that lasts forever, the shock of bad news, but more importantly the true silence of real prayer.
The hypnotic power of music is very real. In the per-electronic age the hypnotic effect of music are experienced in solitude with the discipline of practical techniques, (How do you get to Carnegie Hall, the young musician asked a stranger in New York. The fellow answered, "Practice son, practice." Aside from solitary practice music was communal, of the community, folk groups and laughter. It became weaponized with electronics where even the folk singers, Pete Seeger, and the like amplified by the radio began seducing people to Marxism, then the Marxism turned Antonio Gramsci-esk sexual, then diabolical and satanic.
Blues became anti-God and even Bluegrass became Nihilistic. (I am a man of constant sorrow . . . maybe I'll die upon this train.) This is the short hand history of how we got to this.
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