0024 How Blinding is Your Worldview Vol 31-35
0024 Vol XXXI = 31 Worldview, Slow and Quick Government Lynchings
For some of you, this will seem like a digression, off subject and maybe even unrelated, but it is not. With the childish attitude that the American Government is benevolent, or at least used to be, you have no clue about the levels of sociopathic evil that resides in the Oligarchical powers that control this country and what psychopaths some of their pet Pit Bull bureaucrats and authority figures have been. To get the full picture, we have to tell some stories. In the last several years of Dizzy Gillespie's life, we became friends. It started around 1983 when he asked me for some help naming cords for his guitarist. I was shocked as he hammered out cords on the piano; I told him that I would tell everyone that I played piano better than Dizzy Gillespie. In the following years, a couple of times in New York and when he would pass through town, we would sometimes share a meal or just a conversation backstage, debating politics and religion, philosophy. He really loved Billie Holiday and talked about her in tragic terms. He was fully aware of the persecution she endured.
To refresh my memory of the story Dizzy told, scanning the web, I ran across the fact that Hulu just made this story a movie. Here's the story:
The
American Poet Abel Meeropol (Lewis Allen) wrote the poem “Strange
Fruit,” but from the very first time that Billie Holiday sang the song,
she owned it, and in a way, the song owned her; it shortened her life
and caused the Federal Government to persecute her.
Holiday’s
father died because he was refused treatment at a “whites only” hospital
in Texas. She said of the song, “it reminds me of how Pop died,”...
“But I have to keep singing it, not only because people ask for it, but
because twenty years after Pop died, the things that killed him are
still happening in the South.”
For a time, we lived in Watkinsville, Georgia, and I often traveled the road, crossing Moores Ford bridge on the way to Monroe, where the last American Mass lynching happened (1948).
Two black couples were kidnapped and shot more than 30 times each at close range. Every KKK mob member stepped up and fired, even after they were dead. The couples were sharecroppers. One of the males had stabbed a white man. Investigators have tied the lynching to the highest levels of state government. It obviously did expose high-ranking government officials. Here is the evidence; Seventy-two years later, Attorney General Bill Barr blocked a lawsuit to unseal the Federal Grand Jury record.
Researcher Anthony Pitch, author of The Last Lynching: How a Gruesome Mass Murder Rocked a Small Georgia Town (2016), located the sealed grand jury testimony in the National Archives. He sued 72 years later to have the records unsealed, and despite government opposition, a federal appeals court upheld his request. However, the federal Department of Justice under Attorney General William Barr appealed that decision, maintaining to open the testimony would undermine the confidentiality of a grand jury investigation. I say it would have undermined the competency of the investigation as well. U.S. law permits grand jury testimony to be unsealed in “exceptional circumstances,” and Juliet Sorensen, a professor at Northwestern Law, argued in 2019: “If this isn’t an exceptional circumstance, what is? It’s now 73 years in the past. Surely, no targets of the investigation are still living. I don’t believe that granting the release of the records, in this case, will open the door to courts ordering grand jury record disclosures willy-nilly.” Atanya L. Hayes, the granddaughter of two of the victims, Roger and Dorothy Malcom, said, “It made me really disappointed in our judicial system and FBI and all the people who were supposed to protect us. You should not be able to enjoy that good reputation."
"Dead or alive, good or bad, the truth needs to be known”.
On 27 March 2020, while everyone was distracted with the FAKE Covid Pandemic, an appeals court in Atlanta ruled in favor of the federal government and ordered the records sealed permanently. In an editorial on 26 April 2020, the Toledo Blade condemned the 8-3 decision of the appeals court, stating: “There is no good reason to keep the grand jury transcripts and other evidence about the lynching sealed. The courts should make this information available to the public. The blood of the victims calls out for disclosure. Their suffering must not be forgotten. If disclosure causes political or personal reputations to suffer, so be it.”
Were you to Google “Last Lynching in American States,” you would be shocked at the number of books and historical references pop up. Some of you would be shocked at the locations. If you did a little digging, you would discover that it wasn’t a practice limited to the American South.
The Bodies in the County Morgue.
This song had sacred meaning for Holiday; it was an evangelical effort to get audiences, ‘mostly white audiences,’ to face the morbid and bloody facts of contemporary and deadly racism. When she sang the song, the rowdy audiences would sit silently; no waiter or bartender would move; this was demanded in her contract. This was a decade and a half before Rosa Parks refused to give up her front bus seat in Montgomery, Alabama.
Not all audiences were polite; some people walked out, but people knew there were lynchings in the South. Despite the discomfort it caused in some Northern and West Coast audiences, she insisted on singing it at the end of every performance. What was her reward? A slow-motion lynching. 
It caused the Federal Government to persecute her in the person of a man named Harry Anslinger, the first commissioner for the Federal Bureau of Narcotics. Before that, an Alcohol Prohibition enforcer, and before that, he traveled the world setting up the drug trade for the black market that the new Drug Laws would create. He oversaw all around the world drug laws enacted by national governments that would create a black market. The FBN was the precursor to the Drug Policy Administration parent of the Drug Enforcement Administration (DEA).
Johann Hari details in his book entitled Chasing the Scream: The First and Last Days of the War on Drugs, Anslinger, a public racist, claimed that Jazz was Satanic and created drug use, and caused Blacks to forget their station in American Society. He ordered Holiday to stop performing the song. All he did was reinforce Holiday’s need to sing it.
Of course, she ignored the unlawful order. So then Anslinger upped the ante and assigned an agent to stalk her and entrap her when she made a heroin connection. She was arrested and spent 18 months in jail. When she was released in 1948, she was clean and sober, but Anslinger kept up the pressure and hounded state and city liquor boards to refuse to grant her a “cabaret performer’s license.” At the time, they actually had a Federal Cabaret License, a holdover companion law to Prohibition, aimed at the well-paying mobbed-up nightclubs and casinos. He effectively blocked her from her former career traveling the nightclub circuit. This left her with recording and air time residuals, which were very small because Jazz was a niche' market. She supplemented that by occasionally concertizing in large venues. She played to packed houses several times, like Carnegie Hall, in the years she was sober. 
People
who have had to bow to Covid lockdowns may find it easier now to relate to
the emotional stress of being isolated, removed from her primary income,
missing the camaraderie on the road with fellow musicians, and doing
that isolation sober. Here was a woman with some psychological demons, father dead
because racists refused him emergency medicine; as a child (age 10),
she was raped in the brothel where her mother worked. All these
pressures lead her back to heroin. Eleven years later, banishment
from her career had taken its toll; she was hospitalized with failing
liver and heart and lungs compromised to cancer. 
She didn’t trust the medical people saying, “They’re going to kill me. They’re going to kill me in here. Don’t let them.” Adding insult to sickness, Anslinger’s men showed up because she arrived at the hospital an addict; they arrested her, handcuffed her to the bed, and took mug shots. Since that made her legally an inmate in custody, they cruelly removed the many gifts her fans had sent her, including flowers, a radio, record player, chocolates, magazines, and station two cops outside her door to prevent the prisoner’s escape.
Harry Anslinger
Despite this abuse, she improved on methadone, gained some weight, and gained some hope. Anslinger could not have that; he ordered the doctors to withdraw the methadone treatment, causing her to face detox with no help. She died within days.
The federal government persecuted not just Billie Holiday but "The Bird" Charlie Parker. "The Bird" was big enough that he got a club named after him. The is the world that Billie Holiday was banned from by a sick bent Federal Agent. It opened while she was in jail, and she died six years before it closed. She certainly would have been a regular headliner there. All the Jazz Greats Were.
https://www.birdlandclub.com/
Many people have been isolated and punished by capricious bureaucrats and politicians across the span of American history. We've already covered some heroes willing to sacrifice their lives (here and in Britain) simply to tell the truth. Our friend Rex Christi said in the last video (Liberty's Thunder Radio) that politics is not isolated to voting, that it is all-encompassing, "my God they blocked you from your churches, and that's political, everything's political." Killing President Kennedy was political, killing Andrew Breitbart and many other truth-tellers like Congressman Larry McDonald, William Cooper, Sony Bono, John Kennedy, Jr., believe what you need, but it is all political.
October 16, 1972 - House Majority Leader Hale Boggs, Louisiana (D) and Rep. Nick Begich, Alaska (D). Both are aboard a plane that vanishes from the radar in bad weather over Alaska. The wreckage is never found. Boggs was the youngest member of the Warren Commission; he survived one vehicle attack in D.C, in1970, run off the road by a Lincoln Continental. He went public with claims that the FBI had tapped both his home and office phones, called for the resignation of two of the dirtiest politician in the Swamp, J. Edgar Hoover, and Attorney General John Mitchell; he claimed he had information that was going to bring them down. Then he took a campaign journey. So many have made this mistake, you don't brag in Mobbed-up America about the information you have; you keep your mouth shut or immediately release it. Why? Because they will kill you. Some believe that the crash was the mob was taking out Begich.
Begich's wife ended up married to a mobster. As an aside, we have the work of Nick Begich's son to thank for his excellent work in exposing and explaining the good and evil uses of the HAARP technology. How many of you know about HAARP technology? I witnessed some events a decade ago that would have been a very uncomfortable mystery without gaining knowledge of the HAARP technology. Events in the News like mass bird kills and then two things witnessed in person. But, I digress.
https://www.thisawfulawesomelife.com/home/2019/5/7/the-begich-boggs-mystery-the-mysterious-disappearance-of-cessna-n1812h-by-robin-barefield
December 8, 1972 - Illinois Rep. George W. Collins (D). Collins is killed when a United Airlines jetliner plane crashes on approach to Chicago’s Midway Airport. Forty-four others are killed. Collins’ widow, Cardiss Collins, succeeds her husband in the House.
February 14, 1975 - California Rep. Jerry Pettis (R). Pettis, a former military pilot, dies while flying his private plane. The aircraft crashes into a mountain near Banning, California. His wife, Shirley N. Pettis Roberson, replaces him in the House five days later.
August 3, 1976 - Missouri Rep. Jerry Litton (D). Litton is killed in a plane crash in northwest Missouri. He was en route to a victory celebration after winning the state’s Democratic Senate nomination.
September 1, 1983 - Georgia Rep. Larry McDonald (D). McDonald is killed when Korean Air Lines Flight 007 is shot down by a Russian fighter. The avionics were tampered with and the pilots did not realize they were in Russian airspace. The Soviets knew it was a passenger liner and not a threat; the orders came from the top to shoot it down. I've always believed it was a joint CIA/KGB operation. McDonald was exposing communists here and the Elite's plan for a "New World Order." He was the first to reveal it on national T.V., on Crossfire, in 1983, sitting between Pat Buchanan and CIA wonk Tom Braden. Tom Braden headed a complete department inside the CIA and was rewarded with CNN fame, doing "fair and balanced" analysis.
April 8, 1988 - Montana Secretary of State Jim Waltermire (R). Waltermire is aboard a twin-engine plane that crashes as it approaches Helena’s airport in light snow. At the time, Waltermire is a Republican gubernatorial candidate.
August 7, 1989 - Texas Rep. Mickey Leland (D). Leland, a Texas Democrat who chairs the House Select Committee on Hunger, is killed when his plane crashes during a trip to inspect relief efforts in Ethiopia. Leland had questioned the legitimacy of some of the relief organizations, wondering aloud if they were not fronts for more sinister purposes.
August 13, 1989 - Mississippi Rep. Larkin Smith (R). Smith is a passenger on a Cessna 152 that crashes into woods in southeastern Mississippi. Pilot error in hazy conditions is ruled the probable cause of the crash. Smith had echoed Leland's concerns.
April 4, 1991 - Pennsylvania Sen. John Heinz (R). A collision between a plane and a helicopter kills Heinz, a three-term Republican senator and heir to the Heinz food fortune. Who ended up with his fortune and married another Senator who became the Secretary of State? That's the Traitor John Kerry's wife.
April 5, 1991 - Texas Sen. John Tower (R). Tower, his daughter and 21 other people, including NASA astronaut Manley “Sonny” Carter Jr., are killed in a commuter plane crash near Brunswick, Georgia. John Tower was chairman of Herbert Walker Bush's "Intelligence Advisory Board." Tower was a member of a private sex club in D.C. complete with infiltrated Soviet spies. George Herbert Walker Bush nominated him for Secretary of Defense, and the Senate said, "Hell no!" Tower worked directly for Robert Maxwell, the KGB/MI6/Mossad triple agent who was Ghislaine Maxwell's father. He became a roaring drunk and had to be eliminated.
April 19, 1993 - South Dakota Gov. George Mickelson (R). Mickelson and seven others are killed when a state-owned turboprop plane crashes into a grain silo while trying to make an emergency landing near Dubuque, Iowa.
April 3, 1996 - US Commerce Secretary Ron Brown. A US Air Force jetliner carrying Brown and American business executives crashes into a mountain in Croatia, killing all 35 people aboard. Ron Brown was holding blackmail information on the Clintons.
October 16, 2000 - Missouri Gov. Mel Carnahan (D). Carnahan, his son and an aide are killed when their small plane crashes in bad weather. He is elected to the US Senate posthumously, and his widow is appointed to take his seat.
October 25, 2002 - Minnesota Sen. Paul Wellstone (D). Wellstone, his wife, daughter, three staff members, and two pilots are killed when their small plane crashes in Eveleth, Minnesota
.
https://nhtruth.blogspot.com/search/label/Senator%20Barbara%20Boxer
August 9, 2010 - Former Alaska Sen. Ted Stevens (R). Stevens is killed in a plane crash near Dillingham, Alaska. Five people are killed, and four survive, including former NASA chief Sean O’Keefe. What tales do you think the former NASA Chief would have to tell?
You may say, but this is all coincidence. Yes, it is possible that at least some of these things listed could be coincidences? I could list a few hundred more, news people, whistleblowers, truth-tellers, etc.) and even then, some of them would be legitimate accidents and actual suicides. But the majority would be Mobbed-up America targeted hits.
I see people saying things like, "If there were anything to the JFK conspiracy theories, why wouldn't the family speak out?"
Did you know that Robert Kennedy, who was privately pressing for a real investigation, was Assassinated just five years after his brother? Did you know that David Kennedy, Robert Kennedy's son, was found in a hotel room dead of an apparent drug overdose, 16 years later. Then in 1997, Michael Kennedy, David's brother, died in an unlikely skiing accident. Then the aforementioned plane crash of John Kennedy, Jr, in 1999. Then in 2011, Kara Kennedy, daughter of Edward Kennedy, died suddenly while working out at age 51. I'm from a family of eight children, with my parents having more than 30 grandchildren and more great-grandchildren. My Dad was born in 1900, and my mother in 1910, and they just lost their first grandchild in 2019, my daughter, age 49, to cancer. One can't help but think the Kennedy family has been targeted and kept quiet.
The list of JFK assassination witnesses who died under suspicious circumstances, violence and accidents closely following 1963 is staggering. Even people who held out and came forward with information years later, within weeks or months from their disclosures, were taken out. Investigate the story of Dorothy Kilgallen, who was actively investigating the Mafia/FBI/CIA connections of Jack Ruby. Ruby, who shot the supposed "lone wolf" assassin, Lee Harvey Oswald, Jack Ruby had clear ties to each and was quiet in prison. Still, he agreed to be interviewed by Kilgallen, and Kilgallen said she was about to write a major expose' on the Kennedy assassination. I'm not going to go into it here, but there is an excellent book by Mark Shaw, entitled "The Reporter Who Knew Too Much. All this surrounding just the Kennedy family.
BTW, the author of this book is anything but a conservative and is a walking advertisement for San Francisco, but his book is on Amazon's Banned Book list.
https://www.dorothykilgallen.com/2013/10/the-death-of-dorothy-kilgallen.html
How many people have you known personally, face to face, had dealings with, worked with, etc., who have committed suicide. I watched an interview on Church Militant of an abused child actor now age 37, who has become a Christian and his story of coming to consciousness, coming to realize his need of help and the demonic struggle his life had been, what had triggered the change, not instant, but a turning point was the suicide of a close friend, someone who had protected him from abuse and taught him how to survive. Most people who are close to a suicide victim are haunted by it, never really get over its tragedy. That is human nature, the goodness of human nature that remains. Those demonically deluded into the idea that death is not an enemy, so then suicide is just a passage to have someplace better have dulled their conscience and deeply sullied their humanity.
I don't care who you are. Nobody has 47 friends that have committed suicide. Unless you are one of these sociopaths, sacrificing all to ambition. I expected her to suicide Bill, just for the sympathy vote in 2016. 
The first political campaign for state office by Lyndon Johnson, who later became president, his opponent disappeared during the campaign and was never found. To this day, never found. Whatever the Mob did with that body was permanent.
As the psychologist observed in a previous video, sociopaths tend to reach for money and power and end up becoming people in authority. They have no regard for people, and when they join forces, to lie in public and plan in private, they are capable of doing anything. Anyone who does not hold this basic knowledge of government by fallen humanity is eaten up by it. As our friend Ivan Alexandrovich Ilyin stated, "Those who do no resit evil are absorbed by it." How are you absorbed? It can be many ways, but it starts with the distortions the lies of the lying class have on us personally, making us accomplices to inverted ethics, inverted morals, and human eugenics and genocides. "Up is down; Black is white; Gay is Good, and you probably come from a shite hole."
Let me share another story about being on the 4th floor of the Art Institute Gallery in Chicago back in the early 1990s and having to bite my tongue to keep from screaming "you idiot" at a mother indoctrinating her little innocent four-year-old girl in shite art. Hanging on the wall was a "painting" (it was paint) oil on canvas, about twelve feet tall and thirty feet wide; the entire canvas was covered with a solid warm brown color faded out on the left-hand bottom corner to a dull bluish-gray. The painting enthralled the mother. The little girl was saying, "No, let's go see the Cassatts." The mother went into this self-righteous rant about how she wouldn't allow her child to be a cretin and have a narrow view of what beauty is and what art is. She said, "Not all art is created to make you feel good. Not all art is created to be beautiful." With her humanity still intact, the child could discern the difference between beauty, and shite held a natural affinity for Mary Cassatt's depiction of mothers and children and the warmth and love of domestic life. But the mother, brainwashed by the CIA, thought a shite-colored 12 by 30-foot canvas was art and not the con that it was.
I said quietly to the black female guard who was listening to the mother's lecture intently, "Are you and I the only sane people on this floor and know that painting is shite?" She said, "White people's art is insanity. Not the old stuff; that's different. But this floor is just ugly. I hate it when I'm assigned to this floor. Where does this stuff come from? Who really likes it?" The painting I dubbed 'the brown bomb' was just stupid and boring, but a lot of the other artwork was violent, demonic, laced with putrid images and Luciferian symbols. It shows the coursing of the conscience that that mother would be trying to brainwash her daughter into artistic insanity. That was back in the late 1980s, and at the time, I didn't have a clue how it could be that so-called "modern art" was everywhere. I should have had a suspicion. I didn't. It was promoted, financially propped up by the CIA, and it was a cultural attack of Antonio Gramsci-measure on everything Good, Beautiful, and True. The more sick, the more depraved, the more support.
0024 Volume xxxii = 32, Worldview, The CIA at the Core of American Cultural ROT, Using Antonio Gramsci's Prison Notebooks as their Playbook.
I tried to settle on a subtitle and couldn't so I'm going to share just a few of the candidates:
The Cultural Cold War: The CIA and the World of Arts and Letters.
or Better titled: The CIA's assault on Art, Music and Literature or Better yet, the Corporate/State Assault on your sanity.
Still better:
The
Purposefully Caused Insanity of the Scientistic Dictatorship Elite, or
the Assault of the CIA and the Rockefeller's on everything True, Good
and Beautiful, or Conning You to Love the Shite.
Everyone of these titles is apropos.
A personal note:
This explains why I am here, teaching lessons, telling the stories, sharing my understanding and experiences. Institutional Education has become corrupted beyond all TRUTH, and without the foundations of TRUTH, capable of creating sanity, thus, mental, emotional, physical and spiritual healing, nothing else has any context except as Lucifer defines. We are going to examine some of Lucifer's definitions, and the Luciferians who applied them.
John Cage minimalist music compositions before the input of CIA support; it is beautiful, "In a Landscape" allows your mind to ramble through a beautiful landscape. I picture, like "Pictures at an Exhibition" that Cage was setting a pleasant tone, a tonal form of something he saw and liked.
John Cage's 4'33" (The insanity financed by the CIA).
Many of Cage's "prepared piano compositions" are really interesting and all the way back in the 1930s for cage and 1920s for other, prepared piano music was creating and using sounds for movie tracks, that took much time and much work to prepare and perform and record. It was half a century before synthesizers and a great many synthesized sounds are created from samples of "prepared pianos." When you hear a prepared piano piece you will recognize some of the, now, common digitized sounds.
I point this out so that you will not think that I saying all innovative music, art, or literature is evil or worthless, but the fact remains that some of it is more than simply a con game, and gaslighting, some of it IS purely evil.
Now so we can get our bearings, or maybe it is me getting his bearings, in either or both cases let me restate the story with which I ended the last video.
I heard the words from that beautiful Orthodox hymn, "Your Holy Spirit inspires artists, poets and scientists" . . . and I had to add, except for the demonically insane ones.
I did not have the discipline to remain silent, but I would not break a cardinal rule and demean a parent in front of a child. Instead, I backed up a few feet to a very authoritative looking middle aged black female security guard. I observed the blank harsh stare in her eyes which said, "Don't speak to me!" I leaned into her ear and said very faintly, "Are you and I the only sane people in this room, who know that, that chocolate monstrosity is utter shit; a total con-game?" She looked at first shocked and then her eyes lit up and came alive. She turn and looked at me like I was was an old friend. Honest, I would not have been shocked if she had kissed me. I think it took restrain on her part not to hug me. Tears welled in her eyes and she said, "Honey, it is a parade of insane white people thru here every day. I hate the 4th floor!" I said, "Don't ever doubt that this is shit." She said, "Thank you for saying so. So few white folk have the sense to see it for what it is."
Moments of insanity - another story:
I would love to have a video recording of the rehearsals and performances of an original composition of contemporary symphonic music performed by the Atlanta Symphony Orchestra back in the 1980s. It was an extravaganza of screeching sounds and disunity; I can't even call its construction "dissonance" because it was far from that; it was rather quiet tension and roaring chaos. They took the window panes out of the projection booth high above the second balcony, and the composer's mistress was there with some wind players, the strings and brass were scattered the walkways of the balcony and loge, and every piece of percussion the ASO owned was on stage, along with the piano. The music had no cadence, only parts, except the parts that had cadence, and that was tied to a red light on the floor in front of the conductor's stand so that when the red light was on, it was time for him to flail his arms. I was called to tune the piano before every rehearsal and performance. Nothing could have been a greater waste of time, since "in tune" had nothing to do with this performance, as all the musicians were called on to bend pitches as they chose individually and even in sections to simply play "something, anything" so long as it was not a melody that could be recognized. The score did have instrument lines and dynamic lines so that each musician would know when to play "something" and how loudly or softly to play. It screeched on for three movements and forty minutes ending in a grand crescendo, proving just how much noise every instrument a symphony orchestra owns could make, except the Wagner Horns, God being merciful, they were in storage.
Sillier than being asked to tune for this chaos, was the fact that the composer's contract demanded that I stand by for the rehearsals and concerts. It was worse than Chinese torture. My ears were sensitive, and this screeching noise really was unpleasant. After the first rehearsal I worn my discrete invisible ear plugs and brought my Sound-Decibel meter, the ending crescendo measured109 Decibels, which will cause permanent ear damage if endured form more than two minutes or so. Luckily, it rose from about 90 Decibels, with is damned loud to 109 Decibels over the last 30 seconds of the composition.
I will never forget that the composer himself; I can still picture him, a short little man; I wish I could recall his name. He was seated at the piano, wearing a bill and sleeve garters like a casino card dealer used to wear.
At the end of the first rehearsal, he turned to me and said, "Well, what do you think of it?" It was a premiere so that rehearsal was the first time even the composer had actually heard it. I said, "I'm no diplomat. Do you really want to know?" He nodded yes, I said, "I hated it; I don't know why I have to listen to it; I don't know why I need to tune for it since it is all chaos." He said, "What don't you like getting paid?" I said, "I've got other work I could be doing that's more profitable." He cleared his voice and tried again, "Yes, but how does the music make you feel." I said, "Of all the ugly things I have to face every day, the grind and toil of Atlanta traffic not the least of it, and then to come here expecting to hear at least some moments of beauty, and be assaulted, I won't lie to you, it just PISSES ME OFF." He smiled, patted me on the chest as if to say, "I understand," handed me a page describing the composition. It said, "Invoking the tension and anger of urban life." I said, "Okay, you are sure-as-hell successful at that, but who the hell would pay for this?" It was an honest question, and later I discovered that he was financed by some "foundation" I had never heard of. I just didn't know; there was diabolical intelligence huge money behind that concert.
The Scientistic Dictatorship Elite are not mad; they are diabolical, rather Luciferian. They laugh at us, who are too stupid to get it. They have created an insane culture for us, aiming to destroy reason. Their gaslighting is aimed at dulling our innate sense of truth, goodness, and beauty, and WE are buying it! (I wasn't, but so many still do.)
Ordinary people with the powers of abstraction know intrinsically what is beautiful, what is good, what is true when they see it and hear it, unless they are hypnotized and manipulated and their psyche (soul) distorted. And the satanic hypnotists have been working overtime.
It is true that tastes become refined - like the reason I know that Art Tatum was the greatest pianist who has so far lived, and most people don't get it. But most people can observe that Art's music is different, that he plays complex things and doesn't seem to work hard at it. They can't appreciate Tatum because they don't realize its "extra" qualities like all trained musicians do. Understand, Art isn't trying on this tape; he is just "playing around" with a classical theme. Trust me, Horowitz could not have touched this if he practiced 24/7 for all his life.
There was a time I believed that sentence to mean that children in the "end times" would be born with great wisdom. Now, IN the end times, which are surely these days, I have discovered that the small child isn't especially wise, as per the innate intelligence of the human species, born with the ability of abstraction. Rather that the generations preceding have grown insane, dumb to reason, removed or at least partly removed from their humanity and its innate reason and perceptions, like the ability of abstraction. Sadly many under fifty, more under forty, and most under thirty, fit this description having relinquished matters of reason and taste to the "insane elite" who are creating our morals and our culture for us. A culture where this represents creativity:
It is an insane culture where this represents great talent and wisdom and sells for tens of millions of dollars in the economy of the Luciferian Scientific Dictatorship Elite -
Don't think this insanity is new. I was just a small child in the early 50s when audiences were being conned into believing that John Cage's mocking pieces meant anything. Do a little research and realize that this is from a kinescope recording which were very expensive to make. Money and Power were behind this attack on REASON. This is kinescope, very expensive to make, it is movie film recording of large T.V. monitors all analog, way before digital anything.
John Cage performing his one not concerto.
However, my compositions were not even in the arena, not reviewed, they were not art.
Which is art?
or (6)
Folks, please WAKE UP!
Twenty years later I still hear that child's plea in my ears, "Let's go. I want to see the Cassants." The small child full of wisdom and the mother, conditioned, dumb, locked into the insanity of the Culture. I've held that small child in my heart all these years and hope that today she isn't standing in front of some demonic or meaningless piece of shit indoctrinating her own child into the reason-demolishing culture of the NEW WORLD ORDER.
0024 Vol xxxiii - 33 How Blinding is Your Worldview: The CIA's Omni-Infiltration.
We are in a sea of Psychological deception, some have known for years, some are just learning.
Roman Catholics have been brainwashed by secularism, installed by the CIA, read John Courtney Murray, Time/Life, and the American Proposition: How the CIA's Doctrinal Warfare Program Changed the Catholic Church, by David A Wemhoff, and by demonic mysticism rather colorfully demonstrated by this meme. 
Evangelical Christianity has fallen to the psychological campaign of the Mossad and the Pagan state of Israel and this meme is not an exaggeration. I have met hundreds of evangelicals this judaized. Some are removed from the actual Rabbi, by one step and accept the teaching of Evangelical teachers when they are quoting modern Rabbis. Why is this important? Because it has cost much AMERICAN BLOOD, heartache, and misery of sacrificed soldier's families and wounded veterans and CHRISTIAN GENOCIDE. 
Anyone with a modicum of understanding of the teaching of the Apostles and the Early Church fathers about the Judaizers knows the depth of this Evangelical deception. Right this minute there are good Evangelicals all over Social Media with Israeli Flags on their profile, oblivious to the fact that just a few days ago the Texas Governor called for the end of Free Speech in America, and supported legislation in Texas to destroy Free Speech and did so with the Israeli Flag behind him and a Jewish Senator sitting next to him. William Feix (Gillie) rightly states: "Arguably the most frustrating and mind-numbing feature of Evangelicals: their obsessive and slavish admiration and dependency on Rabbinic Judaism. (Editor's note: Do you know that there are less than 25 thousand Torah Jews in the world? The other religious Jews are secularist,Enlightened/Luciferian, universalists, or Kabbalah Luciferians.) Pointing this out to them literally makes me want to rip my ears and eyes off. If you want be a Jew then be a Jew. If you hate Christ, His Church, and His word then just come out and say so! Stop with this Judaizing pretending and please spare us all of your double-speak, shallow, grand-standing. I have heard with my own ears certain of them say that, low-key, they wish the Holy Gospel of Saint John was written differently than it was. I have also heard some explicitly accuse the Holy Fathers of the oft repeated slander of being Neoplatonists and therefore both untrue and subversive to the spirit of the Hebrew Scriptures. My patience with their laziness can only go so far. If you want a Christ centered faith that dutifully, organically, and joyfully inherited the world of the Hebrew Scriptures, then it’s the faith of the Holy, Catholic, Apostolic, and Orthodox Church, NOT the late Antiquity and Medieval system of those who rejected Christ and His Body and developed what is now known today as Rabbinical Judaism – the spiritual descendants of the Pharisees who had our Lord and God crucified. +++
The earliest extant Christian Easter (Pascha) sermon confirms what our friend just said. On the other hand, John Hagee, the vocal supporter of all things Jewish totally apostatized, he openly said what most Evangelicals secretly believe.
If you think I'm exaggerating, most Evangelicals in the presence of a religious Jew, believe they are in the presence of a bother by another mother, and are spiritually kin, instead of realizing they are in the presence of the spirit of Anti-Christ. On Orthodox Pascha, dispassionately I read the oldest extant Pascha Sermon, held by all of Christendom, preached at Sardis roughly one century after the cross of Christ, and it contains no "Neo-platonism" and preaches the Gospel strictly from the Hebrew Scriptures and the ORAL Gospel and totally refutes Hagee and the rest of those Evangelical Judaizing heretics.
Link to Bishop Melito's Pascha Sermon.
https://rumble.com/vgd8y7-the-oldest-pascha-easter-sermon.html
You may ask, how does this fit in to the story about Billie Holiday and Slow and Quick Lynchings, and the CIA's subversion of Culture? It fits in because it has been the CIA's distortion and subversion of everything, including the Catholic Church, the Evangelical Movement in cooperation with the Mossad and powerful Jewish/Israeli interests in the U.S. and Britain, and the massive tools of psychological weaponry used against us, destroying our Christian traditions and the Civilization our ancestors were attempting to build. Giving us instead every lie and deceit. The weapons are powerful. Think about where we are, a terrible gas shortage (temporary or more dangerous? we don't know.) insane lock downs and mask mandates and the drum beat for mandatory genocidal vaccines, doctors lying about diseases, the government destroying liberty, pastors and priests being locked up for holding services . . . these and many more affronts to human dignity.
I love the Cambridge Dictionary giving the same first and second meaning for Omni - Firstly, everywhere or everything; Secondly everywhere or everything. When you click the link it says a Brazillion connections and when you look up Brazillion it says a very large amount, not a real number, but too large to imagine. What has been the result?
They are not only recording everything, they are busy subverting it.
What is the center of this? Its major tool has been the CIA, for seven decades. (Actually the FIVE EYES - the intelligence establishment of New Zealand, Australia, Canada, Britain and the United States - with other adjunct actors.) So my redneck buddy would say, "The answer's simple then; shut down the CIA! Gut it, send those bastards packing!" And he would not be even close to an answer. As time has progressed over the last seventy years, the CIA has grown into a Hydra that is thousands of times larger than the Bureaucracy in D.C. which represents merely its American Governmental conduit. I wrote years ago:
Rather than start with the birth of the C I A in 1947 and its NAZI roots, let us begin with how the C I A operates today. First, it works by controlling politics, everywhere, all the time. This includes control of the political process in America. Some of you heard Jessie Ventura tell the story about when he was elected governor of Minnesota, getting an urgent request from the C I A to come to Washington and meet with them. Thinking that there might be some security problem in Minnesota he needed to understand, he complied with the request, only to be 'grilled' in a SCIF in the bowels of the U.S. Capital Building, by a committee of C I A agents, some who would not even identify themselves, about how 'he' managed to become governor.
(Jessie in his own words - https://youtu.be/_IyQRxzs61Y )
Remember, this was in the era when according to public law, the C I A did not have the legal right to operate inside the borders of the U S A. Yet, it was evident to Jessie that they were very much concerned about his election. You see, his election was a popular uprising, and that is not allowed under the present C I A control. (Update - this fact was proved again in the CIA/Cabal takedown of Trump. They controlled the entire process, stopped the count in the wee hours of the morning, and manufactured all the votes they needed. - And they are not hiding their actions, as Molly Ball crowed about it in a seven-thousand-word essay in Time Magazine.) They control 'all' elections in the US, including state offices and most city and county offices, as well. First, we must realize that there is no demarcation line between the 400 wealthiest people in America and the half of the nation's wealth they own, the “corporate” power they control, and the C I A. They are one. This is the nature of the Fascist Rule that has taken hold in America, the control of Government via the Corporate C I A structure, which George Herbert Walker Bush called the New World Order. To look at Corporate America is to look at the C I A, to look at the C I A, is to look at Corporate America. To look at the combination of CIA/FIVE EYES/Corporate America, you are looking at the Empire which is no longer centered in D.C.
The only thing I would say differently these years later is to point out that "Corporate America" has nothing American about it, except the fact that it feeds off our Nation like a leech. At the same time, it uses the blood of our young to fight its wars, for its profits and control structure, and that it is Luciferian and Anti-Christ at its core. So when President Duterte of the Philippines or Vladimir Putin of the Russian Federation looks at America and assesses America's power and influence, do you think they see the quaint ole Congress sitting in D.C? or the muttering, sputtering Biden, or the bureaucrats in the CIA, or it's public face the U.S. State Department? No, they see the entire Fascist System that has created Totalitarianism for its citizens and domination over most of the world. That Fascist System is an overarching Globalist Governance where the tentacles of the Five Eyes Intelligence System (the CIA being but one eye) function as both the blood flow, the nerve structure, and the muscle of the Invisible Structure that is Omnipresent. Until the age of the Beast, such a title as Omnipresent could be spoken only of God, and many believed such a Godly power was a myth since it would, in fact, be impossible to effect. I remember when an argument against God was that he could not be "Omnipresent and Omniscient because there is no way possible he could be listening to every individual person's prayers at the same time." When now, only a few years later, we have a BEAST not only listening to our prayers but recording every word, every movement, and in many cases, every emotion we experience.
0024 Vol xxxiv = 34 CIA Infiltration & Subversion of Everything
Continued
I'm going to use this article published by Frances Hélène Jeanne Stonor Saunders as a way to introduce her book. Frances HJS Saunders, who has too many names (I call Stoner for fun here), is a British journalist and historian who is MI6-adjacent. This article and indeed her book amounts to a CIA limited hangout. It is informative once you understand the context. It exposes a tiny corner of a massive subversion of "Truth, Goodness, and Beauty" operated by the FIVE EYES in Visual Arts, Publishing, Music, and Literature. It exposes a tiny window into the agenda, and even some of the CIA/FIVE-EYE financed organizations that created the ugly symphonic music of the mid and late 20th century and even uglier art by people like Andy Warhol, Willem de Kooning, Mark Rothko, Franz Kline, Francis Bacon, and Jason Pollock and many more. For the greater portion of my life, it was a mystery to me how this shite art gained ascendancy, why people would not only support it but spend hundreds of millions of dollars on it. They created a life for Andy Warhol, with the inflated prices for his artwork, plus the subsidies of "foundations" that all he had to do in his life was buy stuff. I remember upon his repose an expose' about the massive amount of "stuff" he had bought wrapped and delivered to his home, most of which was never removed from its shipping paper. Every nook and cranny in his brownstone was packed with unopened stuff; he had a large warehouse where he stored more stuff. He was the perfect testimony of the meaningless of American materialism and consumerism. Still, to me, for all those years, it was a mystery how his art and the art of hundreds of others could create such a life. The mystery was solved for me in the year 2000 when I read "Stoner's book." It was all a fake economy, a CIA psyop, and a con.
Stoner:
Modern art was CIA 'weapon'
(Written in the late 1990s)
Bond:
(Stonor is hinting that Modern Art was used as a weapon against the Soviet Union, but just like all the Liberty killing and subversive weapons of the Cold War, like the CIA itself, it was really aimed at us. Like is the War on Terror, and now the War on the present, Invisible Enemies.)
Stoner:
For
decades in art circles it was either a rumour or a joke, but now it is
confirmed as a fact. The Central Intelligence Agency used American
modern art - including the works of such artists as Jackson Pollock,
Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in
the Cold War. In the manner of a Renaissance prince - except that it
acted secretly - the CIA fostered and promoted American Abstract
Expressionist painting around the world for more than 20 years.
It wasn't until I read Stoner's book that I had a hint why Francis Bacon could paint homosexual and morbidly tinged ugly shite and become so wealthy that he could spend his middle age hardly painting but rather making the gay-pub circuit in London many time snookered out of his mind. There was no genius here, there was CIA money and a demonic moribund and lurid lust.
Stoner writes:
The connection is improbable. This was a period, in the 1950s and 1960s, when the great majority of Americans disliked or even despised modern art - President Truman summed up the popular view when he said: "If that's art, then I'm a Hottentot." As for the artists themselves, many were ex- communists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing.
Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.
The existence of this policy, rumoured and disputed for many years, has now been confirmed for the first time by former CIA officials. Unknown to the artists, the new American art was secretly promoted under a policy known as the "long leash" - arrangements similar in some ways to the indirect CIA backing of the journal Encounter, edited by Stephen Spender.
The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations.
Bond:
(As if this network is not increased exponentially now, and the conquest and control of Hollywood with the edition of "Social Media" it is very hypnotically powerful.)
Stoner:
They joked that it was like a Wurlitzer
jukebox: when the CIA pushed a button it could hear whatever tune it
wanted playing across the world.
Bond:
(The limited hangouts always speak of these abuses as past tense. They are calling on your "trust response" as outlined a few videos back, (volume 28) where the things the happened and were commonplace in the past are assumed not to be happening in the present.)
(NOTE: The Rockefeller
Servant, Tom Braden, who spent his adult life assisting David
Rockefeller in creating the present dystopian New World Order, mocked my
Friend Congressman Larry McDonnell on national T.V., on a show called
CrossFire, in 1983 for using the term "New World Order" and called it a
"conspiracy theory." )
Stoner:
The next key step came in 1950, when the
International Organizations Division (IOD) was set up under Tom Braden.
It was this office which subsidized the animated version of George
Orwell's Animal Farm, which sponsored American jazz artists, opera
recitals, the Boston Symphony Orchestra's international touring
programme. Its agents were placed in the film industry, in publishing
houses, even as travel writers for the celebrated Fodor guides. And, we
now know, it promoted America's anarchic avant-garde movement, Abstract
Expressionism.
Bond:
(That paragraph is analogous to saying, "They shat all over the vegetable garden, and now we know they shat on the egg plants, too." Which is the story, that it was subverting everything, or just the single thing. This is a mind game they play.)
Stoner:
Initially, more open attempts were made to support
the new American art. In 1947 the State Department organised and paid
for a touring international exhibition entitled "Advancing American
Art", with the aim of rebutting Soviet suggestions that America was a
cultural desert. But the show caused outrage at home, prompting Truman
to make his Hottentot remark and one bitter congressman to declare: "I
am just a dumb American who pays taxes for this kind of trash." The tour
had to be cancelled.
The US government now faced a dilemma. This
philistinism, combined with Joseph McCarthy's hysterical denunciations
of all that was avant-garde or unorthodox, was deeply embarrassing. It
discredited the idea that America was a sophisticated, culturally rich
democracy. It also prevented the US government from consolidating the
shift in cultural supremacy from Paris to New York since the 1930s. To
resolve this dilemma, the CIA was brought in.
Bond:
(So just like the mother in the Chicago Art Institute fearing her daughter would grown up to be a Cretin, so Stoner judges that we are Philistines because we know what is chaos and ugly. And because we knew what was chaos and ugly we needed the CIA to save us from ourselves.)
Stoner:
The connection is
not quite as odd as it might appear. At this time the new agency,
staffed mainly by Yale and Harvard graduates, many of whom collected art
and wrote novels in their spare time, was a haven of liberalism when
compared with a political world dominated by McCarthy or with J Edgar
Hoover's FBI. If any official institution was in a position to celebrate
the collection of Leninists, Trotskyites and heavy drinkers that made
up the New York School, it was the CIA.
Until now there has been
no first-hand evidence to prove that this connection was made, but for
the first time a former case officer, Donald Jameson, has broken the
silence. Yes, he says, the agency saw Abstract Expressionism as an
opportunity, and yes, it ran with it.
"Regarding Abstract
Expressionism, I'd love to be able to say that the CIA invented it just
to see what happens in New York and downtown SoHo tomorrow!" he joked.
"But I think that what we did really was to recognise the difference. It
was recognised that Abstract Expression- ism was the kind of art that
made Socialist Realism look even more stylised and more rigid and
confined than it was. And that relationship was exploited in some of the
exhibitions.
"In a way our understanding was helped because
Moscow in those days was very vicious in its denunciation of any kind of
non-conformity to its own very rigid patterns. And so one could quite
adequately and accurately reason that anything they criticised that much
and that heavy- handedly was worth support one way or another."
To
pursue its underground interest in America's lefty avant-garde, the CIA
had to be sure its patronage could not be discovered. "Matters of this
sort could only have been done at two or three removes," Mr Jameson
explained, "so that there wouldn't be any question of having to clear
Jackson Pollock, for example, or do anything that would involve these
people in the organisation. And it couldn't have been any closer,
because most of them were people who had very little respect for the
government, in particular, and certainly none for the CIA. If you had to
use people who considered themselves one way or another to be closer to
Moscow than to Washington, well, so much the better perhaps."
This
was the "long leash". The centrepiece of the CIA campaign became the
Congress for Cultural Freedom, a vast jamboree of intellectuals,
writers, historians, poets, and artists which was set up with CIA funds
in 1950 and run by a CIA agent. It was the beach-head from which culture
could be defended against the attacks of Moscow and its "fellow
travellers" in the West. At its height, it had offices in 35 countries
and published more than two dozen magazines, including Encounter.
Bond:
(Anti-Stalinist
Left is code speak for Trotskyite Marxist and who is Irvin Kristol?
The father of William (Bill) Kristol, the Neo-Con thought manufacturer
who dominated the media for decades. Neo-Con is another way of saying Trotskyite
Marxist, and Trotskyite Marxist is another term for Communist. )
Stoner:
The Congress for Cultural Freedom also gave the CIA the ideal front to promote its covert interest in Abstract Expressionism. It would be the official sponsor of touring exhibitions; its magazines would provide useful platforms for critics favourable to the new American painting; and no one, the artists included, would be any the wiser.
This organisation put together several exhibitions of Abstract Expressionism during the 1950s. One of the most significant, "The New American Painting", visited every big European city in 1958-59. Other influential shows included "Modern Art in the United States" (1955) and "Masterpieces of the Twentieth Century" (1952).
Because Abstract Expressionism was expensive to move around and exhibit, millionaires and museums were called into play. Pre-eminent among these was Nelson Rockefeller, whose mother had co-founded the Museum of Modern Art in New York. As president of what he called "Mummy's museum", Rockefeller was one of the biggest backers of Abstract Expressionism (which he called "free enterprise painting"). His museum was contracted to the Congress for Cultural Freedom to organise and curate most of its important art shows.
The museum was also linked to the CIA by several other bridges. William Paley, the president of CBS broadcasting and a founding father of the CIA, sat on the members' board of the museum's International Programme. John Hay Whitney, who had served in the agency's wartime predecessor, the OSS, was its chairman. And Tom Braden, first chief of the CIA's International Organisations Division, was executive secretary of the museum in 1949.
Now in his eighties, Mr Braden lives in Woodbridge, Virginia, in a house packed with Abstract Expressionist works and guarded by enormous Alsatians. He explained the purpose of the IOD.
"We wanted to unite all the people who were writers, who were musicians, who were artists, to demonstrate that the West and the United States was devoted to freedom of expression and to intellectual achievement, without any rigid barriers as to what you must write, and what you must say, and what you must do, and what you must paint, which was what was going on in the Soviet Union. I think it was the most important division that the agency had, and I think that it played an enormous role in the Cold War."
He confirmed that his division had acted secretly because of the public hostility to the avant-garde: "It was very difficult to get Congress to go along with some of the things we wanted to do - send art abroad, send symphonies abroad, publish magazines abroad. That's one of the reasons it had to be done covertly. It had to be a secret. In order to encourage openness we had to be secret."
Bond:
(Editor's note: The CIA/FIVE EYES also created the "Neighborhood Concerts Association" that recruited the upper crust of small-town America to ferret out the young talented people for subversion and was instrumental in spreading the homosexual agenda. Charlotte Iserbyt described a herding method used by the Department of Education to wine and dine the "people of influence" to break down their aversion to sex education. It was based upon the CIA's Community Concerts Association Model. In Georgia, by the 1970s, a cadre of very handsome young homosexual gentlemen were in control of the Georgia Democrat party through its female chairman. This psyop is known grossly as "fag-hagging." The same dynamic was used with school boards to implement the Cultural Marxist Sex Education program. )
Stoner:
If this meant playing pope to this century's Michelangelos, well, all the better: "It takes a pope or somebody with a lot of money to recognise art and to support it," Mr Braden said. "And after many centuries people say, 'Oh look! the Sistine Chapel, the most beautiful creation on Earth!' It's a problem that civilisation has faced ever since the first artist and the first millionaire or pope who supported him. And yet if it hadn't been for the multi-millionaires or the popes, we wouldn't have had the art."
Would Abstract Expressionism have been the dominant art movement of the post-war years without this patronage? The answer is probably yes. Equally, it would be wrong to suggest that when you look at an Abstract Expressionist painting you are being duped by the CIA.
Bond:
(This paragraph is lying conjecture and wishful thinking. Art removed from any moral and Christian basis is controlled by a Luciferian spirit, of Anti-Christ. Did the CIA finance that horrible homosexual art of the 1990s and Piss Christ and the rest? It little matters if it is CIA or the Rothchilds or the Podesta Brothers.)
Stoner concludes:
But look where this art ended up: in the marble halls of
banks, in airports, in city halls, boardrooms and great galleries. For
the Cold Warriors who promoted them, these paintings were a logo, a
signature for their culture and system which they wanted to display
everywhere that counted. They succeeded.
No, this is where the art ended up, this was the path, this was the goal.
Stoner:
Covert Operation
In 1958 the touring exhibition "The New American Painting", including works by Pollock, de Kooning, Motherwell and others, was on show in Paris. The Tate Gallery was keen to have it next, but could not afford to bring it over. Late in the day, an American millionaire and art lover, Julius Fleischmann, stepped in with the cash and the show was brought to London.
The money that Fleischmann provided, however, was not his but the CIA's. It came through a body called the Farfield Foundation, of which Fleischmann was president, but far from being a millionaire's charitable arm, the foundation was a secret conduit for CIA funds.
So, unknown to the Tate, the public or the artists, the exhibition was transferred to London at American taxpayers' expense to serve subtle Cold War propaganda purposes. A former CIA man, Tom Braden, described how such conduits as the Farfield Foundation were set up. "We would go to somebody in New York who was a well-known rich person and we would say, 'We want to set up a foundation.' We would tell him what we were trying to do and pledge him to secrecy, and he would say, 'Of course I'll do it,' and then you would publish a letterhead and his name would be on it and there would be a foundation. It was really a pretty simple device."
Julius Fleischmann was well placed for such a role. He sat on the board of the International Programme of the Museum of Modern Art in New York - as did several powerful figures close to the CIA.
0024 Vol xxxv = 35 How Blinding is Your Worldview
Since the last Worldview video (volume 34) I produced two videos on current events that, upon second thought, should have been the following videos in this series. The first is video No. 0045 Entitled "The Anti-Gospel of the Globalist Herders," which covers the International Clergy herding people into compliance with Covid mandates and the real dangers of mRNA co-called Vaccines; which are not vaccines, but artificial "gain of function viruses." "Gain of function viruses" is another way of saying "bio-weapon." Even though these things are presently weapons arrayed against us, it is impossible to survive them; it is impossible to resist them without a worldview more developed than what is common in the U.S.
The following is the introduction to Video No 0045 which is a must-see for an objective perspective on what is presently happening.
Tyxikos Gatpopoulos (a Greek Orthodox Priest in Athens) says: I have noticed a disturbing trend among members of various Orthodox groups on Facebook as well as other Orthodox Christians (sic). The trend is to reduce spiritual matters to the realm of party politics. Yesterday I posted a few words about wearing masks in church. Some extremist views accused me of being extreme right, while others said I was a liberal. I am neither. I can not be a liberal as I cannot support their views on abortion and many other issues. I am not right-wing either as I do no look upon Trump as a latter-day saviour, nor can I agree with the idea that the world is made for the rich. I am a Christian Orthodox first and last. Whatever (sic) views I express are the views I believe an Orthodox priest should express. And I am not writing this as an apology or to make excuses as I have no need to do either. I am writing to urge all of you to put politics aside when dealing with spiritual matters. Put Christ in your heart and mind and learn how to have discussions without anger and hatred. In a later post, I will try to explain why Orthodoxy is not an excuse for violent nationalism. God bless you all. Christ is Risen.
Archpriest Symeon Elias:
The mask
subject and mandates are de facto political since it has nothing to do
with healthcare and is all about political submission to the Globalist
state. Even N95 masks filters to only 300nanometers and coronaviruses
measure 65 to 126nanometers. I know you mean well but scolding people
for reacting politically to a political government psyop is more than
confusing. The mast mandates are literally the psyop equivalent to Heil
Hitler in NAZI times. Anyone complying is already lost spiritually and
mentally, having been removed from their own reason and bowed to lies.
BTW, if Orthodoxy is not for Nationalism, is it for Luciferian
Globalism?
Txt and more information
https://bondrobin.blogspot.com/2021/05/the-anti-gospel-of-globalist-herders.html
The next video that could have been in this series since it is a topic we have approached here is video No. 0046, entitled "0046 Invoking the Beyond -They pulled the Alien Invader Trigger". We have already touched upon the history of the "Space Alien" Gaslighting. This video focuses on The Collins brother's explication of the three significant benefits to the Oligarchical establishment for pulling the Alien Invasion Trigger.
To wit:
Friends came for a weekend visit. In the course of conversation, they related that they had watched a History Channel program that stated that Big Foot was rather like an Alien pet, that was regularly dropped off upon earth to do his business. I noted that the History Channel and the Discovery Channel had become purveyors of mythology, and even some science magazines have become steadily more fanciful. I wrote yesterday introducing an article (probably Wolfgang Smith's last article on science, after all, he is in his nineties):
Wolfgang Smith is the only physicist in the last one hundred years who did not drink the mystical-kool-aid and actually conceives of physics in physical terms. Most so-called physicists had abandoned physical reality for the mysticism of the Tao of Physics which language was demonstrate by a book of the same name published in 1975 written by Fritjof Capra, which clearly proved the eastern mystical language employed by physicists when trying to relate their theories of physics in a language other than obscure mathematical formulae. It was a total mythologizing of form. According to the new physics, all form was an illusion. It was an insane period. I bought it; all New Age magical thinking is based upon it.
All of this scientific mythology goes hand in hand with the generations of UFO Gaslighting since, in a very real way, all of the foundation was falsely removed. Wolfgang Smith said of this period of mythologizing of the world by Quantum Physics, "First formulated in 1925, quantum mechanics has shaken the foundations of science. It appears as though physics has, at long last, broken through to its own fundamental level; it has discovered what I shall henceforth term the physical universe — a realm which seems to defy some of our most basic conceptions of objective reality. It is a world (if we may call it such) that can be neither perceived nor imagined, but only described in abstract mathematical terms." In a very real way, the idea of Observable Truth was destroyed by this false paradigm, making anything possible and everything chaotic, random, thoughtless, meaningless, etc. It is little wonder that Scientism, which is removed from reality, has captured the imaginations of people who have been removed from reality. Anything is possible in this world, so a Space Alien pet, named Big Foot, is as possible as Lucifer being the true benevolent and real God, where Christ is an "ascended Master" one of many, and everyone's universe is only what they have imagined.
0046 Invoking the Beyond -They pulled the Alien Invader Trigger
The Deep State wonks just pulled the Alein Invader Trigger, the psyop
they have been preparing for a hundred years. Do you know what that
means? Have you at least slightly soiled yourself? Here is the reality
if you dare to view it.
Link to Jay's Full Interview of the Collins Brothers
https://youtu.be/N5OOiWj6F2M
Bond Robin Blog
https://bondrobin.blogspot.com/2021/05/they-just-triggered-alien-invaders-psyop.html
In the last video in the Worldview series, I reminded you that everything has turned upside down.
"The level of lies destroys the credibility of every "official thing," the masks are falling off, and more people are awakening; they've been Dempeachafied. What does that mean? It means despite the highest level of fear-mongering chaos that the Dems/Judeo-Luciferian Globalist/Deep State has created, PEOPLE ARE LAUGHING AT THEM. Massive numbers have had their Dempeachafied Shots and are growing immune to the lies and chaos."
In the last 19 months what was the Luciferian's answer? They dug into deeper and deeper layers of your psyche until they had you so terrified of the very air around you they had you wearing face diapers that served NO safety purpose or health benefit and submitting to messageRNA shots that are gain-of-function artificial viruses, indeed, bio-weapons that will KILL you. If you were not SPIRITUALLY prepared to recognize the deception and NOT COMPLY, I've just described you, you poor, pathetic, deluded creatures.
Inside that Pandemic Terrorism what is the consciousness level of some? Some of you awaiting the coming 2022 and 2024 elections live in a special kind of darkness, filled with shiny objects giving false light. There is no hope for you at this point. You have fallen right back into the hypnosis of the 24 hours psyops News cycle and despite what you have seen and experienced over the last few years, proving the "system is fake" you are beaten and compliant. I wrote in 2010 that there was no hope for America without good people becoming destitute and suffering privations in the streets, that as long as we could carry on the illusion of "The American Dream," nothing tangible could be reached or understood; it is all illusion. Justice and reality have parted ways in this country, as has healthcare and health, law and justice, university and education, Church and Truth, government and the general welfare, philosophy and reason, and on and on the inversions continue, category after category moved to the gloomy darkness of nihilism and death. Where criminals are heroes, traitors are patriots.
I wrote in October of 2019:
Friedrich Nietzsche, the father of postmodern philosophy, all of its anti-life iterations, the inspiration of Hitler and his Blond Master Race, the inspiration of Sigman Freud and sexual deconstruction, the inspiration of the Marxist Antonio Gramsci and his plan to destroy Christianity from within and without, events we are witnessing in real time, said that the aim of his philosophy was to destroy Christianity and to create rage in those who would do his work, he predicted that after the collapse of Christianity and its moral and cultural norms SuperMen would arise to create the new consciousness and cultural norms. Though his ego-sick philosophy led him to personal madness, the last fifteen years of his life spent as an imbecile, many days banging his elbows on piano keys thinking he was creating beautiful music. His words began a demonic life of their own. With the help of the Judeo-Luciferian SuperMen of the Western Media and Academia, they wreaked havoc across the globe. When you see any and all aberrant expressions of humanity expressing anger to Christ and His Body, The Church, you are witnessing the demonic force of Friedrich Nietsche's thoughts and spirit in action. And yes, he has created his SuperMen, Freud, Hitler, Stalin, Mao, Kinsey, Skinner, Heftner, Soros, Obama, etc., and a host of feminist Devils.
I harp on Truth, Goodness, and Beauty, seeking what is true, what is good, what is beautiful. There is a very radical and fundamental reason for this. In this sea of warped Nietschism-thinking, where a world has grown anti-Christ and as the Pope is proving Anti-Life, the rediscovery of The Truth, The Life, and The Way which is our Life in Christ, is the only hope against the carnage, the mental carnage, the emotional carnage, the spiritual carnage with the attendant mutilation and slaughter of bodies and souls. (I didn't have any idea how prophetic that paragraph was.)
Nietsche is a clear example of a man who was his own God. It should have been a cautionary tale, considering how it turned out for him. He wrote a book entitled "Behold The Man," speaking of himself as the I AM, which is, of course, the Title God gave himself. Neische's example of a human devoid of truth, filled with lies, devoid of good, instead filled with evil, a man grown ugly, shriveled, mad, unable to view or comprehend beauty. He grew devoid even of toilet habits. He was unaware of the great lies he had unleashed upon the world and the coming carnage; his example haunts me as I write words and answer people's questions. Words have POWER. Americans have surrendered that power. They have abandoned the theological/philosophical battle leaving it to the demonic class out of their laziness, apathy, and ignorance. It has caused carnage worldwide; children sacrificed to Moloch and a class grown so insane they are hacking off their genitals to attempt to be what they never can be and torturing their children with their violent insanity. Truth Goodness is not an option; it is the only option; it is the Way that can rescue from death and create LIFE.
In all fairness, this abdication of theology/philosophy is not just neglect but a systematic program of generational hypnotic somnambulism. They did lure us to sleep. Sports, Entertainment, Pornography, psychotropic drugs, fetishism, on and on, all substitutions to avoid the raw moment of roaring silence we are conditioned to avoid. In the silence of that moment, truth arrives. It terrifies most of you.
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